LUXURY

JAGUAR, U.S.

SPORTS/ENTERTAINMENT

MAJOR LEAGUE
SOCCER

LUXURY

AIR FRANCE

SPORTS/ENTERTAINMENT

NEW YORK
RED BULLS

I LIVE AT THE
INTERSECTION OF

BIG IDEAS

X

BOLD EXECUTION

I Lead Killer Teams

I Am Fueled By Late-Night Ideas

I Make Brands Impossible To Ignore

I Craft Scroll-Stopping Stories

HISTORIC BRANDS
DEVELOPED

< LIFESTYLE :: PHARMA >

PHARMA

QUVIVIQ

PHARMA

CABENUVA

HEALTHCARE

NY PRESBYTERIAN

PHARMA

KEYTRUDA

“Design is thinking made visual.”

— Saul Bass

HUNT_LOGO_2025_HEADER

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ONCOLOGY

KEYTRUDA

The BRIEF

Role: ACD: Digital

Period: 2023

Platform: Storyboarding, Keytruda: Pharma

Lift: HCP Education

The TEAM
  • Matt Lear, VP, CD
  • Carmel Winter, ACD
The RUNDOWN

Ketruda is an immunotherapy treatment, not chemotherapy, that helps the body’s immune system fight cancer. It’s used to treat various cancers, including skin cancer, lung cancer, head and neck cancer, lymphoma, and certain types of breast cancer. 

THE CHARGE
  • Managed multiple projects from concept through to completion, working with both in-house resources and third-party vendors
  • Provided leadership and professional development to video staff
  • Ensured brand identity and message consistency across channels
  • Developed and evaluated creative concepts, copy and art, at pre-determined points and providing direction prior to review by account management
  • Cut video spots using AVID Technology, Adobe Premiere and Adobe After Effects
The WORK

POLIVY

The BRIEF

Role: Creative Lead: Animation, HTML5 and Video, Senior Art Director

Period: 2022-2024

Platform: Print, Digital, Social

Lift: 360 Campaign

The TEAM
  • Mark Kelley, VP, CD
  • Derby Tabuteu, ACD
  • Dana Forker, Art Director
The RUNDOWN

Polivy is a prescription medication used to treat adults with diffuse large B-cell lymphoma (DLBCL), a blood cancer that affects white blood cells.

 

HIV/AIDS

CABENUVA

The BRIEF

Role: Creative Lead: Animation, HTML5 and Video, Senior Art Director

Period: 2021-2022

Platform: Print, Digital, Video

Lift: 360 Campaign

The TEAM
  • Travis Hibbis, VP, CD
  • Lisa Boosin, ACD
  • Anthony Lowe, ACD
  • Michelle Johnson, Studio Manager
  • Hayden Griffin, Copywriter
  • Kerry Goeller, Digital Production Artist
The RUNDOWN

Cabenuva is a co-packaged antiretroviral medication for the treatment of HIV/AIDS. It contains cabotegravir and rilpivirine in a package with two separate injection vials. None of this would be accomplished without solid leadership and the skilled work of the studio production team. I have had the pleasure as digital artist of collaborating with those from Havas’ ancillary agencies Arnold and Tonic on numerous digital pharma projects. A promising pharmaceutical to lower the viral load of HIV-positive patients, Cabenuva for ViiV had met enough regulations to begin the final design and development of it’s online presence. Designed for both desktop and mobile-responsive, the site began as a set of Photoshop files with many subsets nested within the site map that I migrated into Sketch for conversion to vector-light and nimble assets within the site and to prompt collaboration. Working files are still under NDA, so I am unable to share the build files live.​

THE CHARGE
  • Managed multiple projects from concept through to completion, working with both in-house resources and third-party vendors
  • Provided leadership and professional development to department staff
  • Ensured brand identity and message consistency across channels
  • Developed and evaluated creative concepts, copy and art, at pre-determined points and providing direction prior to review by account management
  • Cut video spots using AVID Technology, Adobe Premiere and Adobe After Effects
The WORK

DELSTRIGO

The BRIEF

Role: Creative Lead: Animation, Senior Art Director

Period: 2021-2022

Platform: HTML5 Banner Animation, Social, Video

Lift: Patient Education, Video

The TEAM
  • Travis Hibbis, VP, CD
  • Michelle Johnson, Studio Manager
  • Hayden Griffin, Copywriter
  • Kerry Goeller, Digital Production Artist
The RUNDOWN

Taken orally, Delstrigo is a fixed-dose combination antiretroviral medication for the treatment of HIV/AIDS, containing doravirine, lamivudine, and tenofovir disoproxil.

Delstrigo, a new and inspiring treatment in the fight against HIV, came into my studio from the Havas video studio, Studio 6, where all of the video had been cut down for the upcoming spot placement, and with the relationship between the client, agency and what we were accomplishing together being kismet, Merck asked if we were able to create a version of what Bayer had dazzled the industry with at a pharma conference the year before–a scrolling ISI both in video assets AND HTML5. Tapped by my friend EMILY WILSON within Studio 6 as she and I had triumphs together, my studio took over building the social media assets that mirror the stop-motion generation 1 portion of the Delstrigo campaign that was in market. It was with great joy that I not only set up the size, speed and transition of the animations for video social assets, but resourced the FDA-approved speed from the Bayer scrolling ISI and mirrored that flawlessly to show at the right speed and percentage of the screen. <br>Three assets were created combining the stop-motion footage provided, logos and ISI copy. Animation, colors, speed and ISI met FDA criteria for type size, legibility and background color to accommodate for the potentially visually-impaired.

THE CHARGE
  • Developed and reviewed creative briefs that provided strategic insight(s) and creative inspiration
  • Curated a culture of trust with peers, clients and all stakeholders
  • Set high-impact objectives and went above and beyond to exceed performance expectations
  • Scheduled and directed on-site, in-city and remote/travel video and photo shoots for both product and video campaign
  • Cut video spots using AVID Technology, Adobe Premiere and Adobe After Effects
The WORK

CARDIOVASCULAR

VASCEPA

The BRIEF

Role: ACD, Pharma, Website

Period: 2021-2022

Platform: Print, Digital, Video

Lift: Part of a 360 Campaign

The TEAM
  • Travis Hibbis, VP, CD
  • Lisa Boosin, ACD
  • Anthony Lowe, ACD
  • Michelle Johnson, Studio Manager
  • Hayden Griffin, Copywriter
  • Kerry Goeller, Digital Production Artist
The RUNDOWN

VASCEPA is the first and only FDA-approved medication to lower CV risk in addition to other medications, such as statins, in patients with high triglycerides (≥150 mg/dL) and heart disease or diabetes with other CV risk factors. The exact science of how VASCEPA works in the body is not fully understood, but years of clinical testing have led to proven results. 

THE CHARGE
  • Managed shareholders from concept through to completion, working with both in-house resources and external vendors
  • Provided leadership and professional development to creative staff
  • Ensured brand identity, functionality and message consistency across channels
  • Evaluated digital creative concepts, copy and art, at pre-determined points and providing direction prior to review by account management
The WORK

DIABETES

SOLIQUA

The BRIEF

Role: Creative Lead: Animation, Senior Art Director

Period: 2021-2022

Platform: HTML5 Banner Animation, Social, Video

Lift: Patient Education

The TEAM
  • Travis Hibbis, VP, CD
  • Lisa Boosin, ACD
  • Anthony Lowe, ACD
  • Michelle Johnson, Studio Manager
  • Hayden Griffin, Copywriter
  • Kerry Goeller, Digital Production Artist
The RUNDOWN

Toujeo is a long-acting modified form of medical insulin injected just under the skin, used in the management of type I and type II diabetes. Benefits generally begin an hour after use.

THE CHARGE
  • Proactively raised issues to improve effective team working and collaboration
  • Communicated ideas and direction confidently in a clear, concise and articulate manner
  • Capable of constructively challenging the status-quo and took risks to challenge internal and external perspectives
  • Lead design direction by providing subordinate creatives key assets for each leg of the campaign build (digital color breakdowns, templated breakdowns for motion/ratio/sizes, imagery selection and definition of photographic color treatment and adjustments)
  • Animated assets using Adobe Illustrator and  Adobe After Effects
The WORK

TOUJEO

The BRIEF

Role: ACD: Digital

Period: 2021-2022

Platform: HTML5 Banner Animation, Social, Video

Lift: Patient Education

The TEAM
  • Travis Hibbis, VP, CD
  • Lisa Boosin, ACD
  • Anthony Lowe, ACD
  • Michelle Johnson, Studio Manager
  • Hayden Griffin, Copywriter
  • Kerry Goeller, Digital Production Artist
The RUNDOWN

The simplest ask: to create a rasher of banner ads. The complication: To conscientiously incorporate BNY-mandated DEI initiatives based upon social equity initiatives. Across all of the digital assets, round one simply depicting diversity ethnically, and my pressing for not only ethnic, but gender and orientation representation as well as ethnically, the client was not only pleased to see my execution across the static banners in the initial batch, but I had been expanding beyond the brief behind the scenes.
By the next enthusiastic media buy from BNY, I had not only pulled their design standard documentation, but I was animating in Adobe Animate behind the scenes. Animating in a manner that was pixel-identical to their internal regulations and matched their online, social and environmental brand. Emphasis was put on the animation for brand recognition as primary, then the gentle fade into the diversity shot.

THE CHARGE
  • Managed the workload for assigned book of business to maximize the productivity and quality of work from the creative staff
  • Built relationships quickly with others and engaged personally with peers and clients
  • Collaborated with stakeholders and embraced an inclusive-based environment
  • Implemented traditional and interactive design, including web, mobile, UX, animation, social and rich media experiences
  •  
The WORK

GASTROINTESTINAL

ETRA AIBD MICROSITE

The BRIEF

Role: ACD, Pharma, Microsite

Period: 2022

Platform: Digital

Lift: Pharma HCP Congress Microsite Development

The TEAM
  • Mark Kelley, VP, CD
  • Derby Tabuteu, ACD
  • Dana Forker, Art Director
The RUNDOWN

AIBD is a must-attend event for gastroenterologists, nurses, physicians, surgeons, and all healthcare professionals dedicated to advancing the field of IBD. With a focus on providing actionable insights and the latest advancements, AIBD equips clinicians to stay ahead in the ever-changing world of IBD management.

THE CHARGE

This copy is in the process of being edited, please check back soon…

The WORK

(Shown as an Adobe XD shared link, which does not permit sharing multiple working-file artboards online.)

OSTEOPOROSIS

EVENITY

The BRIEF

Role: ACD: Digital

Period: 2020

Platform: Web, Evenity: Pharma

Lift: HCP Website

The TEAM
  • Aileen Boyce, VP, CD
  • Anthony Lowe, ACD
  • Michelle Johnson, Studio Manager
  • Kerry Goeller, Digital Production Artist
The RUNDOWN

Evenity (romosozumab-aqqg) is a prescription medication used to treat osteoporosis in postmenopausal women who are at high risk of fracture. It works by building new bone and reducing the risk of spine fractures. Evenity is administered by injection for a 12-month period.

THE CHARGE

This copy is in the process of being edited, please check back soon…

The WORK

PROLIA

The BRIEF

Role: ACD, Pharma, Website

Period: 2021-2022

Platform: Print, Digital, Video

Lift: Part of a 360 Campaign

The TEAM
  • Travis Hibbis, VP, CD
  • Lisa Boosin, ACD
  • Anthony Lowe, ACD
  • Michelle Johnson, Studio Manager
  • Hayden Griffin, Copywriter
  • Kerry Goeller, Digital Production Artist
The RUNDOWN

For women with osteoporosis after menopause at high risk for fracture, Prolia has been proven to help strengthen and protect bones from the risk of osteoporosis and hypercalcemia. This 3-year clinical study tested the safety of Prolia in over 7700 women with postmenopausal osteoporosis aged 60 to 90 years. Approximately half of the women took Prolia, while the other half were untreated (given a placebo injection).

THE CHARGE
  • Managed shareholders from concept through to completion, working with both in-house resources and external vendors
  • Provided leadership and professional development to creative staff
  • Ensured brand identity, functionality and message consistency across channels
  • Evaluated digital creative concepts, copy and art, at pre-determined points and providing direction prior to review by account management
The WORK

ANAEMIA

REBLOZYL

The BRIEF

Role: ACD, Pharma, Website

Period: 2022-2024

Platform: Digital, Print, Video

Lift: 360 Campaign

The TEAM
  • Mark Kelley, VP, CD
  • Derby Tabuteu, ACD
  • Dana Forker, Art Director
The RUNDOWN

Reblozyl, is a medication used for the treatment of anemia in beta thalassemia and myelodysplastic syndromes. The US Food and Drug Administration considers it to be a first-in-class medication. 

THE CHARGE
  • Guided Creative Vision and Managed Campaign Assets: Led the design direction by equipping subordinate creatives with essential assets for every stage of the campaign development, both in print and digital formats. This included detailed color breakdowns, templated guidelines for various ratios and sizes, curated imagery selections, and well-defined photographic color treatments and adjustments to ensure visual consistency across all platforms.

  • Optimized Resource Allocation for Project Success: Ensured that resources were efficiently allocated based on the specific needs and timelines of each project. This involved careful planning and coordination to maximize team productivity and meet project milestones without compromising quality.

  • Approached all situations and interactions with honesty, integrity, and humility: This fostered a collaborative and respectful working environment, encouraging open communication and mutual respect among team members and clients.

  • Addressed Client Marketing Challenges with Strategic Creativity: Demonstrated a thorough understanding of clients’ marketing challenges and was highly responsive to their strategic needs. By proposing innovative and tailored creative solutions, consistently exceeded client expectations and contributed to achieving their marketing objectives.

The WORK

(Shown as PDF. Original files acquired from agency prior were in Adobe XD format, which does not permit sharing multiple working-file artboards online.)

SLEEP SCIENCE

QUVIVIQ

The BRIEF

Role: Art Director: Video, Graphics and Storyboarding

Period: 2023

Platform: Video

Lift: Pharma Congress Video

The TEAM
  • Greg Polin, Director of Video Production
  • Lori Eisenberg, SVP, Client Services
The RUNDOWN

Quviviq is a prescription treatment for adults who have trouble falling asleep or staying asleep (insomnia). In clinical trials, Quviviq helped adults with insomnia get more sleep with improvements measured at months 1 and 3.

As quoted from Lori Eisenberg herself:

“After months of planning, we just held the first live speaker training for QUVIVIQ this past weekend. It was literally an all hands on deck meeting with amazing contributions from Client Service, Medical, Creative, Production, Editorial and Finance. Our team was in charge of EVERYTHING from the core deck and break-out room content to inviting/securing speakers, travel, vendor coordination and every detail imaginable including selecting the chairs for the on-stage faculty. Everyone had to stretch in their role, get their hands dirty and pivot to allow for unanticipated circumstances. It was an amazing team experience and I was proud to witness it.

 

By the numbers:

  • 154 Speakers
  • 9 Faculty
  • 24 Idorsia Clients

 

And the entire HSC/HCG Dream Team village…were all smiles praising HSC for the content, creative, materials, logistics and overall event coordination and production. [It] was incredibly well-executed—never a moment of panic or anxiety regarding what should be happening! The relationships we have built with the clients and KOLs is remarkable. I think [the client’s] favorite part was the team dinner where he invited everyone to share fun facts and personal anecdotes with the team. [The client] pulled me aside and said how happy he was with the entire team [and] reiterated that he always thinks of us as one cohesive team.

In terms of speaker feedback, quotes included: “This was definitely one of the best speaker trainings I have ever attended”; “excellent program”; “outstanding program”; “well thought out…”

THE CHARGE
  • Managed multiple projects from concept through to completion, working with both in-house resources and third-party vendors
  • Provided leadership and professional development to department staff
  • Ensured brand identity and message consistency across channels
  • Developed and evaluated creative concepts, copy and art, at pre-determined points and providing direction prior to review by account management
  • Cut video spots using AVID Technology, Adobe Premiere and Adobe After Effects
The WORK

HEALTHCARE
& HEALTH SCIENCES

ASTRAZENECA
PRECISION MEDICINE

The BRIEF

Role: ACD, Pharma, Website

Period: 2021-2022

Platform: Print, Digital, Video

Lift: Part of a 360 Campaign

The TEAM
  • Mark Kelley, VP, CD
  • Amadeu Dimas, VP, CD
  • Jessica Blanchard, ACD, Digital
  • Dana Forker, SAD
  • Bella Wood, UX Designer
The RUNDOWN

“Precision medicine is an innovative approach for tailoring disease treatment and prevention. It makes it possible for doctors and researchers to more accurately predict which treatments are more likely to work for a patient, taking into account individual genetic and molecular make-up, environment, and lifestyle.

By unravelling the complex underlying biology of many diseases, and pioneering and applying advanced technologies, we are leading the way in the application of precision medicine. Our work, and our collaborations with partners across industry, biotech and academia, are driving for better treatments for patients as well as a more sustainable future for healthcare systems.”

THE CHARGE
  • Worked closely with our CDs and the client to evaluate the best approach to clearly define the messaging and how to convey a hefty amount of HCP-based information in a scalable site contingent on the user’s needs
  • Managed shareholders from concept through to completion, working with both in-house resources and external vendors
  • Provided leadership and professional development to creative staff whilst actively educating them in the functions and flow of Figma and transitioning from Adobe XD
  • Ensured brand identity, functionality and message consistency across channels
  • Evaluated digital creative concepts, copy and art, at pre-determined points and providing direction prior to review by account management
The WORK

NEW YORK PRESBYTERIAN

The BRIEF

Role: Creative Lead: Animation, Video, Senior Art Director

Period: 2022

Platform: Print, Digital, Video

Lift: Healthcare Public Image Rebrand

The TEAM
  • Travis Hibbis, VP, CD
  • Lisa Boosin, ACD
  • Michelle Johnson, Studio Manager
  • Hayden Griffin, Copywriter
The RUNDOWN

The NewYork-Presbyterian Hospital, a nonprofit academic medical center in New York City, is the primary teaching hospital for two Ivy League medical schools, Weill Cornell Medicine at Cornell University and Columbia University Vagelos College of Physicians and Surgeons at Columbia University. As of 2022, the hospital is ranked the seventh-best hospital in the United States and second-best in the New York City metropolitan area, treating about 310,000 patients in its emergency department and delivers about 15,000 babies.

“Refresh, rebrand, remind.” These are the three core tenets handed down from strategy at Havas based on two months of collaboration between NewYork-Presbyterian and everyone from account to PMs in my sphere. When finally tapped for my up ramp, the build of the campaign was primarily print and already meted out by another print design team, with Presby giving full enthusiastic sign-off as it was the print leg of their brand refresh. Full environmental wraps, billboards, 3-D laser letter cuts—the full print spectrum backed by a massive budget. I was excited for this as the direction, because I knew that Presby and the team were partially missing a lynchpin in a campaign—OOH digital. Digital wherever digital can live, from lobby screens to, app design, and of course Link NYC street side kiosks. I had already known that Presby was using only looped PowerPoint documents for years as their only digital interaction and they thought that they were getting more of the same—not with me helming Adobe Acrobat and Premiere and this slight oversight being my playground. Left, see the set of animations that I created as a branded style from digital to video, with free-reign to animate within the bounds of the campaign look-and-feel. 

THE CHARGE
  • Managed multiple project portions from concept through to completion, working with both in-house resources and third-party vendors
  • Ensured brand identity and message consistency across channels
  • Developed and evaluated creative concepts, copy and art, at pre-determined points and providing direction prior to review by account management
  • Cut spots and created deliverables using AVID Technology, Adobe Premiere and Adobe After Effects

SPORTS

DAZN, U.S.

The BRIEF

Role: Art Director: Freelance

Period: 2019

Platform: Print, Digital

Lift: Fight Promotional Campaign, Sports

The RUNDOWN

DAZN is the leading global sports streaming service. Created by fans, for fans, it is leading the charge to give affordable access to sport anytime, anywhere. DAZN is available on most internet-connected devices, including smart TVs, smartphones, tablets, PCs, game consoles, streaming sticks and set-top boxes.

Overwhelmed by the establishment of their One World Trade headquarters in NYC and it’s quintessential “coolness,” I was enlisted by DAZN to create Instagram social assets for the Dec. 7, 2019 bout and introduction to the U.S. sports market, from the fight poster (far left,) to the fan-centric-targeted social media boxer profiles (center and right.)

Andy Ruiz Jr. vs. Anthony Joshua II, was a heavyweight professional boxing rematch between the Andy Ruiz Jr. and former champion Anthony Joshua.  Noting what I viewed to be a missing branding asset for this inaugural foray into the U.S. fight market, I also created a “3-D” rubik of the logo as a loader and screensaver for anything from phone takeovers to transition screens (animated, bottom last.)

MAJOR LEAGUE SOCCER

The BRIEF

Role: Senior Art Director: Animation, HTML5 and Video, Senior Art Director

Period: 2017-2019

Platform: Print, Digital, Video

Lift: 360 Evergreen Sports Campaign, Environmental, League Awareness

The TEAM
  • Don Garber, Commissioner, Major League Soccer
  • Sabrina Heise, Director, Fan Acquisition & Engagement
  • Rudy Calderon, CD, Video
  • Steve Mandelbaum, AD
  • Denise Vargas, Senior Motion Designer
  • Joey Burden, Manager, Digital Media & Assets
  • Alex Payne, Senior Designer
  • Shin Ikeda, Ad Operations
  • Kate Zuparko, Digital Marketing Director
  • Tanya Downey, Manager, Partnership Marketing
  • John Smith, Senior Producer, Content
The RUNDOWN

Headquartered in Midtown Manhattan, Major League Soccer is a men’s professional soccer league sanctioned by the United States Soccer Federation, which represents the sport’s highest level in the United States. The league comprises 29 teams—26 in the United States and 3 in Canada—since the 2023 season. With Major League Soccer, I was digital and print visual designer for the 2017-2019 seasons. My “goal?” Taking media from all corners of the organization “talk“ to each other cohesively through style, messaging and balance to consistently evolve and elevate the MLS brand. Across all platforms, everything needed to be congruent and consistent to standards. Structured to build each season to a crescendo, the “Our Soccer/Nuestro Soccer” campaign was the new driving force for the 2018-2019 seasons. With many departments contributing to the multifaceted parts of the campaign, there might be a print asset from one department, video footage held by another team, social assets in development by the social team and so on. It was down to me to work with marketing to implement one or all of those pieces into a concise, clean, animated and marketable digital asset. Many designers at MLS used at most two to three of applications from the Adobe Creative Suite per day—in my position I ran the entire gambit from Illustrator to After Effects. LED In-Game perimeter boards. Environmental graphics and stadium dressing. Animated screens for a takeover of a hosting city’s paid media in airports, streets and subways. One day was never like the other.

THE CHARGE
  • Assisted the Creative Director to improve the Creative group’s technical and creative performance
  • Promoted a culture of creative innovation, elevation and accountability, ensuring that creative deliverables meet both our league-wide expectations and our own standards of excellence
  • Extended client relationships and explored new ways to deliver value
  • Designed comps, storyboards, initial graphic concepts, and final deliverables
  • Developed and evaluated creative concepts, copy and art, at pre-determined points and providing direction prior to review by account management

NEW YORK RANGERS

The BRIEF

Role: Senior Art Director

Period: 2013-2016

Platform: Print, Public Affairs and Media

Lift: 360 Evergreen Sports Campaign

The TEAM
  • Anthony Zucconi, Manager, Marketing
  • Dino Tichenelli, Public Relations Coodinator
  • Tarek Awad, Design Director
  • Michelle Cruz, Senior Art Director
The RUNDOWN

The New York Rangers are a professional ice hockey team based in New York City. The Rangers compete in the National Hockey League as a member of the Metropolitan Division in the Eastern Conference.

As Art Director for Madison Square Garden, I created and lead team advertising across all touchpoints, with an emphasis on television, digital media and branded content with a focus on the print and digital media and playoff guides as my speciality. I never would have thought that I would become a hockey fan. Working with Dino Ticinelli, Tarek Awad and Michelle Cruz, I quickly became one without resistance. I took the enthusiasm that I grew for hockey and put it wholeheartedly (and sometimes from actual sun-up to sundown during playoffs) into creating print assets for The New York Rangers. A collective of team players, history, statistics and other essential team knowledge materials were provided in multiple formats throughout. As a world leader in live sports and entertainment, The Madison Square Garden Company (MSG) sets a global standard for excellence in live experiences and forges deep and enduring connections with diverse and passionate audiences that span generations. Curating and documenting the dynamic history of such a magnanimous NHL club was accomplished by my efforts with the NY Ranger Public Affairs Department. Producing a 450-500 page essential media and playoff guides as well as other accompanying collateral took careful collection and consideration of the overall flow and pagination of this seasonal undertaking. Beyond this, it was critical to be constantly aware of all trades, stats and media chatter concerning the club and it’s fans—events like playoffs and trades could change not only the landscape of the club, but the overall content being provided by the public relations department.

THE CHARGE
  • Mentored and trained team members, wrote performance reviews, and allocated work
  • Championed curiosity and open mindset towards new ways of doing things
  • Ensured that creative presentations to the client met the highest professional standards
  • Brainstormed and developed campaigns while working with clients on multiple projects at once

NEW YORK RED BULLS

The BRIEF

Role: Art Director: Freelance

Period: 2016

Platform: Print, Digital

Lift: Corporate Promotional Campaign, Sports

The TEAM
  • Michelle Cruz, SAD
  • Joe Stetson, Chief Commercial Officer
The RUNDOWN

The New York Red Bulls are an American professional soccer club based in the New York metropolitan area, dedicated to giving back to the community in which they live and work. As assistant art director for the 2016-2017 Seasons, I had the pleasure of working with Michelle Cruz again after our initial collaborations at Madison Square Garden. In her position at NYRB, she pulled me in as art director to undertake the creation of a 350+ print and digital media guide. Using every trick in the Adobe CSS book from InDesign pagination to Illustrator player bio artwork, I developed an overarching look and feel, initially creating befitting style guide for the media guide.

This photo, not that photo, is there a reshoot of that player, this typeface and not that one and here is exactly why based on this asset—the daily design decisions and briefs that I had the autonomous pleasure of having with everyone involved from design, social media and public relations. With great direction, I was able to create an accurate and engaging media guide for news outlets and other users.

THE CHARGE
  • Worked with the Creative Director to evaluate performance, workflow, and quality issues and develop long-range plans for the team
  • Curated a culture of trust with peers, clients and all stakeholders
  • Set high-impact objectives and went above and beyond to exceed performance expectations
  • Lead design direction by providing subordinate creatives key assets for each leg of the campaign build (print and digital color breakdowns, templated breakdowns for ratio/sizes, imagery selection and definition of photographic color treatment and adjustments)
  • Developed concepts around brand touchpoints (e.g. campaigns, big events)
  • Creative lead on big events bringing to life entire platform, including primary campaign marks, color schemes and secondary elements, to usage guidelines and applications
  • Helped to identify best resources for creative production, e.g., online content, photography, talent, etc.
  • Reviewed proofs and seeing projects through final production
  • Prepared final files for production
  • Attended internal calls and meetings as required

GENERAL

AIR FRANCE

The BRIEF

Role: ACD: Digital, Web, Video, Social

Period: 2020-2021

Platform: Print, Digital, Video

Lift: Digital, Video, Periodical

The TEAM
  • Travis Hibbis, VP, CD
  • Luis Garcia, Senior Production Artist
  • Anthony Lowe, ACD
  • Michelle Johnson, Studio Manager
  • Kerry Goeller, Digital Production Artist
The RUNDOWN

AIRFRANCE, is the flag carrier of France headquartered in Tremblay-en-France. It is a subsidiary of the Air France–KLM Group and a founding member of the SkyTeam global airline alliance.

A point of new business, my team was tapped to created an overall global brnad refresh that both looked ot the future and simultaneously echoed the great triumphs of the past, harkening back to the 1974 expansion to full-global service. Along with Anthony Lowe after weeks of research and strategy collaboration to lock down a look-and-feel that drew from campaigns decades before, but using newer design ratios seen in the past ten years, we created the ratio and campaign from digital (social, kiosk, app–full digital bredth) to multiple video cross-deployment applications of a video campaign that cohesively shared this “banded” gestault.​

THE CHARGE
  • Reviewed others feedback to develop self-awareness, strengths and address development areas
  • Built relationships quickly with others and engaged personally with peers and clients
  • Collaborated with stakeholders and embraced an inclusive-based environment
  • Designed comps, storyboards, initial graphic concepts, and final deliverables
  • Developed and evaluated creative concepts, copy and art, at pre-determined points and providing direction prior to review by account management

JAGUAR, U.S.

The BRIEF

Role: Senior Designer, Automotive

Period: 2012-2013

Platform: Print, Digital

Lift: 360 Campaign: Brand Refresh

The TEAM
  • Dan Allegria, Studio Manager
  • Christopher Dyer, Sentior Graphic Designer
The RUNDOWN

I was with a creative team with Young & Rubicam, Los Angeles, in the role of Senior Designer made up of other designers, copywriters and art directors, working on a wide range of clients in the travel, media, hospitality with my assignment being the Jaguar U.S. in-market brand refresh. Collaboration was a must and an open mind was and always is key.

There is a moment in the careers of many people that we all stop and think “This. THIS is on what I want to be working!” Working with Young & Rubicam: Wunderman Brands in Orange County, CA was the initial satisfaction. Being asked to work on Jaguar/Land Rover was just a cherry on-top. Jaguar pulled the trigger on creating in-showroom assets to better engage the expendable income demographic. After a then-new market study, Jaguar noticed a trend that their client base preferred to research their purchases online first with as much information possible. It was no longer the time of walking in and kicking the tires, that part generally came just before purchase. This demographic was most-likely to enter a showroom ready-to-purchase after research—the initial part of this group wanted a “breadcrumb” of sorts as a reminder to research their options. Knowing that, we were tasked with overhauling the original brochures that were given to legacy Jaguar clients into a slicker, amenity-immersive take away that was much more contemporary than the prior versions that were intended for repeat customers.

Working with the Wunderman Team at Young & Rubicam in Orange County, CA, I was pulled into the rebrand of the Jaguar XKR-S and revise the prior campaign for the dealership collateral to appeal to their newly-discovered demographic of 33-48 year olds with disposable income. Converting the original, older working files from the last campaign from Quark to InDesign while maintaining file integrity was the first step—developing a new, cohesive, flash persona for the marketing materials was it’s own undertaking.

The XKR-S is not merely the quickest Jaguar ever but also the most agile, responsive and driver-focused. As with competition Jaguars of the past, the exterior of the XKR-S adheres to the principle of form following function. The XKR-S embodies all the characteristics that have always defined legendary Jaguar GTs – explosive performance, precise handling, relaxed comfort and discreet luxury – while taking Jaguar into a new performance level. The Jaguar XKR-S now possesses a number of revisions that reinforce its contemporary, assertive character.

There was one hurdle—Jaguar wanted to print the same dimensions as the previous collateral. Y&R was updating from Quark to InDesign and was in this tenuous period of using plugins to attempt to salvage as much as the original files as possible as Quark was no longer giving support. In this, my technological savvy directly paid off. Without giving up trade secrets, I asked for the group of files and over the course of two days converted them to an InDesign-manageable format and we got to designing our hearts out. Our showroom collateral went from a dry, stuffy, status-symbol-based brochure that reaffirmed to clients that they made the right upgrade to a more-engaging, dynamic, “open this car up and feel it” spirit from copy to design. As soon as both the in-showroom informative larger-format brochure and the 22-page take away guide hit the hands of the “breadcrumb” seekers, sales hit a sharp upswing.

THE CHARGE
  • Demonstrated strong conceptual thinking, understanding of marketing strategy, and ability to produce out-of-the-box designs, whilst juggling multiple projects at one time
  • Treated others with respect, listened to other perspectives, especially when they were different from own
  • Worked with the upper management team to plan and pursue continuing strategic growth of agency billings and participate in new business pitch opportunities
  • Designed comps, storyboards, initial graphic concepts, and final deliverables
The WORK

KEURIG/DR. PEPPER

The BRIEF

Role: Creative Lead: Animation, Senior Art Director

Period: 2021-2022

Platform: Digital, Social

Lift: Public Relations Environmental Rebrand

The TEAM
  • Aileen Boyce, VP, CD
  • Anthony Lowe, ACD
  • Michelle Johnson, Studio Manager
  • Kerry Goeller, Digital Production Artist
The RUNDOWN

Keurig Dr Pepper Inc., formerly Green Mountain Coffee Roasters and Keurig Green Mountain, is a publicly traded American beverage and coffeemaker conglomerate. Keurig Dr Pepper is a leading beverage company in to bring hot and cold beverages together at scale. KDP is committed to sourcing, producing and distributing beverages responsibly through their Drink Well. Do Good. corporate responsibility platform including efforts around circular packaging, efficient natural resource use and supply chain sustainability.

Tasked with designing a brand look-and-feel for animation across HTML5 banners that could be cross-polinated to video assets as the brand was refreshing around environmental conscientiousness. I developed a softer brand interaction and feel by calling back to the Times Square Chock Full O’Nuts 70’s billboard that had steam rising from an environmental graphic billboard, which was successful in stimulating the desire for the comfort of warm coffee. Importing video of steam with an alpha channel, I created a frame-by-frame flipbook steam animation to coincide with the overall gentle tween of assets for the brand, engaging those moments of pause, focus and mental reset on the brand through a gentle set of tweens. A winning visual campaign was created from 1:1 to 9:16 with scaling to 16:9 application.

THE CHARGE
  • Successfully managed shifting priorities, tight deadlines and last-minute requests
  • Promoted a culture of creative quality and accountability and ensured creative deliverables meet both our clients’ expectations and our own standards of excellence
  • Extended client relationships and explored new ways to deliver value
  • Ideated, wrote and executed original and iconic creative concepts in response to client briefs, objectives or goals
  • Brainstormed and developed campaigns while working with clients on multiple projects at once
The WORK

ROLEX

The BRIEF

Role: Senior Designer: Print

Period: 2009

Platform: Print

Lift: Print, Periodical

Specs: Print Periodical, Full-Bleed, G.Q.: 8 3⁄8” x 10 7⁄8

The RUNDOWN

ROLEX is a Swiss watch brand and manufacturer based in Geneva, Switzerland.[2] Founded in 1905 as Wilsdorf and Davis by German businessman Hans Wilsdorf and his eventual brother-in-law Alfred Davis in London, the company registered Rolex as the brand name of its watches in 1908 and became Rolex Watch Co. Ltd. in 1915.

THE CHARGE

Copy is currently under edit and will be updated soon…

The WORK

PERFORMANCE AND EVENTS

HAVAS PRIDE 2020

The BRIEF

Role: Senior Art Director/Creative Lead: Animation,  Animation, Logo Mark, Animation and Video

Period: 2020

Platform: Social, Digital, Video

Lift: Corporate DEI/PRIDE Initiative during COVID

The TEAM
  • Travis Hibbis, VP, CD
  • Lisa Boosin, ACD
  • Anthony Lowe, ACD
  • Michelle Johnson, Studio Manager
  • Hayden Griffin, Copywriter
  • Kerry Goeller, Digital Production Artist
  • Shirley Katz, Executive Director, Head of Resource Management
  • Aileen Boyce, VP, Associate Creative Director
  • Rob Conger, Presentation Designer
The RUNDOWN

When you are exceedingly proud of the work that you and your team created, it is equally-easy to be proud to host, design and organize the Havas Pride 2020 initiative. With the restrictions and climate of COVID-19, everyone was forced into quarantine who was not an essential worker, postponing life, work and gathering as we know it. One of the largest and greatly-anticipated events of the year, PRIDE NYC, was cancelled for the year by the city health agencies, forcing all to find ways to improvise and celebrate diversity and accomplishment in the LGBTQIA+ community.

As part of the HXC 2020 Pride Committee, I created and lead the overall design direction below that was utilized from Instagram filters to being used as a template from which other committee members developed the assets that they required.

NEW YORK CITY PRIDE 2024

The BRIEF

Role: Creative Lead: Animation, HTML5 and Video, Senior Art Director

Period: 2017-2019

Platform: Print, Digital, Video

Lift: 360 Evergreen Sports Campaign

The TEAM
  • Sandra Perez, Executive Director, NYC Pride

  • Kazz Alexander, Co-Chair, NYC Pride

  • Sue Doster, Co-Chair, NYC Pride

  • Evan Reed, Youth Pride Coordinator

  • Veronica Ryzio, Media Coordinator 

  • Kayle Williams, Assistant Creative Director

The RUNDOWN

“Heritage of Pride works toward a future without discrimination where all people have equal rights under the law. We do this by producing LGBTQIA+ Pride events that inspire, educate, commemorate and celebrate our diverse community.”

 

As creative director with NYC Pride 2024, I was skilled in understanding organizational and partner needs and translating key objectives into creative concepts rooted in the heritage of Pride. I breathed life throughout the experiential community journey (environmental, digital, video, and social). I brought hybrid experience in both art direction and copywriting, working across various tentpoles, mediums and platforms. Having brought live event experience from such outlets as Madison Square Garden, Major League Soccer and other premium event brands, I kept NYC Pride ahead of the latest innovations in the marketplace and integrated that knowledge into concepts that cut through the noise.<br>I oversaw high-value brand platforms and was therefore responsible for managing the full creative process – from conceptualization through execution. I thrived on being client-facing with C-suite executives such as MasterCard and utilized my storytelling skills to effectively communicate the team’s work in a design presentation. I was responsible for creatively leading many of our top existing client partners in developing award-winning Pride platforms. These sponsorship driven platforms ultimately helped our clients accomplish their business objectives and stand-out creatively in the marketplace to establish NYC Pride as a leading voice in the LGBTQIA+ community. I directed a cohesive creative vision and development of design direction for promotional materials (environmental design, stage design, special events, brand collateral, and multiple social media pieces ) based on creative briefs, conversations and wide-ranging internal brand strategies. I possesses outstanding interpersonal skills, a relentless work ethic, and a spirit of collaboration that inspires those around them to create work that represents NYC Pride as a thoughtful and powerful force in queer equality.

THE PALEY CENTER FOR MEDIA, NYC

The BRIEF

Role: Art Director: Freelance

Period: 2016

Platform: Digital, Video

Lift: Broadcast Network Promotion, AMC/BBC

The TEAM
  • CK Chen, Senior Creative Director, The Paley Center
The RUNDOWN

PALEYFEST 2017 seminar honors “Orphan Black,” the dramatic science fiction series about the far-reaching consequences of a secret government cloning experiment.

 

“Orphan Black” PaleyFest: I was already a huge fan of The Paley Center and was working on a ton of print and digital assets from flyers to web banners promoting a variety of celebrity events. When I was chatting with Senior Creative Director Jack Chen about one of my favorite shows, “Orphan Black” was set to be hosted for a Q&A in a week, it was all that I could do to control my enthusiasm. I remember walking over and asking what I could do to help. Many things were already set in motion, with one of the last items outstanding being a PowerPoint presentation highlighting the event and characters from the show.

I volunteered and the creatives no longer had to try to educate themselves on a show and characters that they had never seen—I completely threw myself into it with it almost becoming a video feature. The Paley Center is an archive of all things entertainment-related. With it being a two-night engagement due to popular demand and fans overwhelming the venue, I took it upon myself to append the original presentation with video from the prior night. The result was a fun, engaging reel that had fans of the show taking photos in front of the screens. I knew that I had done something right.

FINANCE & BANKING

BNY MELLON

The BRIEF

Role: Creative Lead: Animation, HTML5 and Video, Senior Art Director

Period: 2023

Platform: HTML5 Banner Animation, Video, Social

Lift: Corporate Promotional Campaign, Finance

The TEAM
  • Pricilla McGann, SAD
  • Anthony Lowe, ACD
  • Michelle Johnson, Studio Manager
  • Kerry Goeller, Digital Production Artist
The RUNDOWN

The simplest ask: to create a rasher of banner ads. The complication: To conscientiously incorporate BNY-mandated DEI initiatives based upon social equity initiatives. 
Across all of the digital assets, round one simply depicting diversity ethnically, and my pressing for not only ethnic, but gender and orientation representation as well as ethnically, the client was not only pleased to see my execution across the static banners in the initial batch, but I had been expanding beyond the brief behind the scenes.
By the next enthusiastic media buy from BNY, I had not only pulled their design standard documentation, but I was animating in Adobe Animate behind the scenes. Animating in a manner that was pixel-identical to their internal regulations and matched their online, social and environmental brand. Emphasis was put on the animation for brand recognition as primary, then the gentle fade into the diversity shot.

THE CHARGE
  • Managed the workload for assigned book of business to maximize the productivity and quality of work from the creative staff
  • Built relationships quickly with others and engaged personally with peers and clients
  • Collaborated with stakeholders and embraced an inclusive-based environment
  • Implemented traditional and interactive design, including web, mobile, UX, animation, social and rich media experiences
The WORK

WELLS FARGO

The BRIEF

Role: Senior Designer: Print

Period: 2008-2012

Platform: Print, Direct Mail: Financial

Lift: Member Rewards Program Collateral

The TEAM
  • Jill Gwaltney, CEO, CD
  • Maggie Sause, SAD
  • Carla DeMarco, Studio Manager
  • Rogelio Rivera, Production Designer
The RUNDOWN

Wells Fargo Rewards Program

Discover all the ways you can redeem your rewards. Choose a cash redemption option or redeem your rewards for travel, gift cards, and more.

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    In a few easy clicks, you can cover an eligible past purchase by selecting it, then using rewards to pay for it.
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THE CHARGE

This copy is in the process of being edited, please check back soon…

The WORK

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NEWS OUTLETS

THOMPSON REUTERS

The BRIEF

Role: Creative Lead: Animation, HTML5 and Video, Senior Art Director

Period: 2017-2019

Platform: Print, Digital, Video

Lift: 360 Evergreen Sports Campaign

The TEAM
  • Travis Hibbis, VP, CD
  • Aileen Boyce, VP, ACD
  • Andy Mathurin, CD
  • Michelle Johnson, Studio Manager
  • Hayden Griffin, Copywriter
  • Kerry Goeller, Digital Production Artist
  • Rob Conger, Presentation Designer
The RUNDOWN

Thomson Reuters Corporation is a Canadian multinational information conglomerate. Whilst at Havas Hudson and Canal, a weekly ad buy came in from Thomson Reuters for placement in Eater Magazine and Car and Driver. The ask was to use their current print campaign assets to created animated HTML5 baners that were capable of tagging their monetiztion through the use of embedded clicktags. During the 10 hours in which I had to hammer these out, I brought the raster into vector format, animated the assets and built slick transitions between each slate. Tracking ROI by the Havas account managers actually shocked them and the client as the response was out of the targeted demographic as tracked due to the on-screen engagement.

Designed and animated a set of 9:16 and 300×500 vertical HTML5 banners (seen left as video as this platform does not permit HTML5 encoding of .zip assets) Directly embedded clicktags for keyhole monetization across CMS systems as well as coding the package to also cooperate with Google FTP systems.

THE CHARGE
  • Mentored and trained team members, wrote performance reviews, and allocated work
  • Championed curiosity and open mindset towards new ways of doing things
  • Ensured that creative presentations to the client met the highest professional standards
  • Brainstormed and developed campaigns while working with clients on multiple projects at once

SERVICE PROVIDERS

DIRECTV

The BRIEF

Role: Art Director, Print

Period: 2008-2012

Platform: Print, Email, Direct Mail, Billboard

Lift: Customer Print Loyalty and Buyback

The TEAM
  • Jill Gwaltney, Founder, Chairman & CEO, Rauxa
  • Cara Martin, Graphic Designer
  • Rogelio Rivera, Graphic Designer, Rauxa
  • Eric Woo, Graphic Designer, Rauxa
  • Annabelle Lepe, Senior Graphic Designer, Rauxa
  • Karla DeMarco, Studio Manager
  • Dana DeLaurentis, Senior Account Manager
  • Michelle Toledo, Creative Strategy Executive, Rauxa
The RUNDOWN

Having freelanced in direct mail for agencies like RAUXA DIRECT and CAMPBELL MITHUN during my years in Los Angeles, there was a period where these agencies ran low on projects during the quieter summer period. Unexpectedly, I began to get emails from both agencies asking if I could take work remotely as their client, DirecTV had an overflow of work based on a new campaign to recover previous clientele during the period of OTA/OTV wars between Dish TV, streaming services and DirecTV. I was not only cleared to take the overflow as the jobs were not large enough for the agencies, but referred because of my prior work for them.

Each region had a slightly-different design aesthetic for their direct mail campaign, but there was the consistent messaging across all media. Shortly thereafter, I was asked to work within the DirecTV headquarters to fulfill both print and digital asset requests. From direct mail to brochures to billboards, I was partially responsible for your seeing DirecTV marketing almost everywhere you looked. Within a year, I was requested outside of the Pacific DirecTV market by the Chicago and New York markets implementing their versions of the campaign.

THE CHARGE
  • Ensured resources are allocated according to project needs
  • Approached situations and individuals with honesty, integrity and humility
  • Demonstrated to clients that an understanding of their marketing challenges and was responsive to their strategic needs in proposing creative solutions
  • Lead design direction by providing subordinate creatives key assets for each leg of the campaign build (print and digital color breakdowns, templated breakdowns for ratio/sizes, imagery selection and definition of photographic color treatment and adjustments)

VERIZON WIRELESS

The BRIEF

Role: Art Director

Period: 2008-2012

Platform: Print, Email, Direct Mail, Billboard

Lift: Direct Mail Customer Print Buyback, Loyalty

The TEAM
  • Cara Martin, Graphic Designer
  • Rogelio Rivera, Graphic Designer, Rauxa
  • Eric Woo, Graphic Designer, Rauxa
  • Annabelle Lepe, Senior Graphic Designer, Rauxa
  • Jill Gwaltney, Founder, Chairman & CEO, Rauxa
  • Karla DeMarco, Studio Manager
  • Dana DeLaurentis, Senior Account Manager
  • Michelle Toledo, Creative Strategy Executive, Rauxa
The RUNDOWN

At one point in this site, I took a moment to apologize for being responsible for most-likely being the person who designed direct mail from Verizon Wireless that probably wound up in your mailbox. I have to apologize yet again because I have an equally-dubious design history with Verizon Wireless. For nearly two years of my life in Los Angeles, I lived in a Verizon-colored world of “Can you hear me now?” Everywhere I looked, I saw the face of Verizon spokesperson Paul Marcarelli as I placed him in direct mail campaigns and billboards throughout the Pacific market. He served as the glue of the campaign

as Verizon requested assets advertising everything from service provider contract buyouts, phone and accessory upgrades to an adorable child phone to have both voice and GPS positioning on a child. With the LA advertising market being very close-knit, I had built a reputation for understanding the Verizon brand and executing facets of their campaign. My relationship reached the point that I was requested by Verizon AEs to lead design legs of the campaign as I was contract designing with two of their advertising agencies—Campbell-Mithun and Rauxa Direct.

THE CHARGES
  • Ensured resources are allocated according to project needs
  • Approached situations and individuals with honesty, integrity and humility
  • Demonstrated to clients that an understanding of their marketing challenges and was responsive to their strategic needs in proposing creative solutions
  • Lead design direction by providing subordinate creatives key assets for each leg of the campaign build (print and digital color breakdowns, templated breakdowns for ratio/sizes, imagery selection and definition of photographic color treatment and adjustments)
WHO IS
ETHAN GABRIEL HUNT?

I am more than the brief. I am a focused, meticulous and strategic creative lead, adept in creating solutions that follow the spirit of the creative brief while also pushing the boundaries of the brief.

fun fact

Having the same name, Ethan Hunt, as the lead agent in the “Mission: Impossible” films can make you mildly notorious. Paramount contacted myself and five others with our name to be flown out to L.A. and reenact stunts from the films.

The BACKSTORY

It all began growing up in Philadelphia and being more-than-mildly-obsessed with the show “Bewitched.” I simply knew that when I grew up, I wanted to become Darrin Stevens— I saw an adult who was paid to draw and tell people that they needed things based on his drawings (the same thing that I would get in trouble for doing in 80’s Catholic School because creativity of a child was considered more  nuisance over giftedness back then.) “Bewitched” was my first exposure to the world of design and advertising and I doubted that my sketching and creative tendencies could never actually become a viable career. I literally learned–I  attended Drexel University and faced the intensity of the graphic design and communications curriculum an intensity that gave me an edge in the saturated northeast design industry. My career started when print was king and digital was just coming into focus, so the bedrock of my skill set comes from print, typography and publication design principles that I still actively parlay into digital and beyond. Having worked for firms such from Young & Rubicam to Campbell-Mithun on campaigns for Jaguar, Land Rover and DirecTV, I quickly gained a reputation for being innovative, conscientious and creatively-driven.

 

Though unforeseeable, due to 9/11, my agency went belly-up along with others, and I was forced to take an unexpected detour in my career path in advertising to an activated U.S. Coast Guard Reserve member, and as a Public Affairs Officer, this change actually paralleled my civilian one. I served in the United States Coast Guard as one of only seventy-seven national Public Affairs officers, specifically responsible for 360 recruitment advertising and public relations. Though quite an adjustment, I thrived nonetheless and considered it to be a chance to broaden my overall life and professional experience. My military service later afforded me the opportunity to return to college and expand my skills, furthering my education by attending The University of California, Los Angeles campus in Continuing Education. It was time for a digitally-intensive training to not only strive to be equal-to-but-greater-than my professional creative peers in many areas. As a student in the Design Communication Arts Programme, I was quite voracious in learning everything that time would allow regarding video, digital animation, responsive design, wire-framing, social media and online content development.

I am more than the brief. I am a focused, meticulous and strategic creative lead, adept in creating solutions that follow the spirit of the creative brief while also pushing the boundaries of the brief. Cognitive dissonance is a big pet peeve for me. The Adobe Creative Suite, Sketch App and his other tools are the closest thing that I have to siblings. Adept at visual problem solving, brand stewardship and creative management, throughout my nearly three-decades in our industry, I have had the privilege of creating groundbreaking advertising and branding for some of the largest household brands, including Pfizer, Verizon, Merck, Keurig and Major League Soccer for starters.

The RESUME
SPECIALTIES,
APPLICATIONS
AND SOFT SKILLS:

SPECIALTIES

  • Extremely proficient in all core Adobe CS programs (Illustrator, Photoshop, Animate, After Effects and InDesign)
  • Extensive knowledge of print pre-press and production
  • Exceptional typography skills
  • Aligned project scope and timelines with project leads and ensure they are adhered to

APPLICATIONS

  • Adobe Illustrator
  • Adobe Photoshop
  • Adobe Animate
  • Adobe After Effects
  • Adobe InDesign
  • Figma
  • Sketch
  • Adobe XD

SOFT SKILLS

  • Managed creative teams and oversee project developments, from initial concepts to completion
  • Worked closely with the Account team and Creative Director to prioritise workloads and manage creative team
  • Ensured ongoing best practices and organised, efficient workflow between account, design and production

AIGA NYC

Contributing Member Number:  146672

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